Wildlife inside RoseHill Cemetery

When you walk inside Rosehill Cemetery you may encounter a new baby deer, coyote, skunk or other animals that live there permanently. It is great to go to a place like this cemetery in the city and find so much wildlife. I like very much to walk in cemeteries and this place is so old.  It is very cool. Of course, the best part is the wildlife that you are going to encounter. I feel that maybe I should not publish things like this because people will start to go there looking for wildlife and of course, this place is not a zoo, so NO! Don’t go there for that reason. I walk every day inside Calvary Cemetery in Evanston and these past months the coyotes that live there had a litter of 5 pups. This was bad because many people that never go to cemeteries started going there with their kids and someone called animal service to have the pups removed. It was such a bad thing to do by some horrible people that consider the cemetery their park for recreation.

How to Become Great at Photography

Written by Elsa Madrigal

I recently listened to a podcast about How to Become Great at Anything produced by Freakonimics radio. The basic premise of the show is how natural talent is seldom enough to become truly great at a skill. In humankind, rapid improvements at a skill are often accomplished by leaps and bounds over generations. Marathon records are broken, young  musicians  (including children) play better and complex pieces at a much younger age than before.  Photography is no different. Advances in technology, creativity, experimentation, all and any improvements have produced what now appears to be an overwhelming amount of photographs. Yet, many photographers struggle to ‘feel’ their work is adequate, and many struggle to articulate through photographs what they truly want to say. They struggle to feel connected to their work and to feel great about it. While I am not trying to claim greatness, I can claim that I have gained a bit of confidence, enough to feel good about my darkroom prints. I compiled some factors, which combined, can make you great.

1. Leverage Technology

Technology is definitely a factor. For instance, racing shoes and athletic clothing are much more optimized now and contribute to faster race times.  Photography has benefited immensely from technological advances over the last century. Unfortunately these can be rendered useless when a brand new camera overwhelms the amateur photographer with 50 buttons and 5,000 menu options. A weak foundation of the skill used with a fancy camera won’t necessarily translate to great photography.  In fact, the best teaching tools are those which strip away the bells and whistles and only delivers the essentials. Many teachers recommend a manual film camera to learn about photography. In professional settings, the advanced features of a camera will be a great aid to enhance creativity, but without knowledge of the essentials, they will be a hindrance. 

2. Talent is not Enough

Talent is also a factor, but not the only factor. A person born in Kenya is unlikely to become a record-breaking marathoner by talent alone, no matter their genetic predispositions. There are hundreds, if not thousands of talented athletes and yet only a few prop to the top. Photography these days seems commoditized. Paid gigs are often a race to the lowest price, and many photographers struggle to stand out above the rest.

3. Build up your Knowledge

I read a lot about photography, and I am well versed enough in technical aspects, but it has come with an investment. And it’s currency is time. I have been reading for several years and just last year I had to Google “what is a prime lens”. In photography, as in anything, you must always be open to learning and put time into it.

4. Find your Teacher/Guru

The main contribution to stepping one’s game at anything, according to the podcast, is working with a teacher. This is the main ‘success’ factor, according to Freakonomics. This person is preferably a master and guru in his or her own right, and would be someone who has been in the trenches and knows the nuances, tips and tricks of the field. Someone who, quite possibly knows what failure looks like and has persisted to eventually find the path to  success.
I have taken photography classes for several years now with Ignacio Alvarez. He has become, besides a mentor and guru, a good friend and like a second father. He is not afraid of showing us new techniques (or reviving old ones). Using his vast experience with analog and darkroom photography we have done many techniques seldom practiced anymore. He goes above and beyond the extra mile for his students.  If there’s something that is not in the curriculum that you are interested in learning, he will gladly teach you, often outside the classroom in his own time.

5. Find your Inspiration

Likewise, gurus often inspire us with examples of those great masters who have come before us. The internet enables us to find interesting and awe inspiring photographers. Their life is often as interesting as their work (Jerry Uelsman, Sally Man, Graciela Iturbide, Pedro Meyer, and the list goes on).

Our Lady of the Iguanas – Graciela Iturbide

6. Develop your Aesthetic

Creativity is unlimited  and gives plenty of room for one to find your own “aesthetic” and initiate projects based on what piques your interest. I have many themes on my portfolio, in which I apply with intention my knowledge to express my creativity. I find darkroom meditative and although I have plenty of options to work with digital photography, the process does not enhance my creativity.

7. Locate your Tribe

Ignacio had his own studio and is currently a teacher at Truman College. He teaches in one of Chicago’s last standing darkrooms in a community college. He also teaches special workshops and digital photography classes. His meetup group is also a lot of fun, often we go all over Chicago to explore.
My darkroom classmates are now more like trusted colleagues, providing tips, inspiration and encouragement. We often surprise each other, never knowing what kind of image will show up next from their travels or photo shoots. We have participated in shows together, and are willing to lend each other a helping hand when we are stuck. We move each other forward.

8. Make Mistakes and Fail Fast

This is contrary advice to what people may tell you. The good news is, the faster you fail, the quicker you will get to learn good habits of photography.  You will make every mistake in the book, not once, but several times. By the time you are done, there will be many photography essentials that will become second nature. Changing settings in your camera in an instant will become like walking or breathing. In film photography there are often what’s called ‘happy accidents’, but knowing which settings cause you to blur an image, or help you get a double exposure will make you happier, I promise.

9. Share and Feel Good

In the darkroom we go through the entire process from shooting to developing and printing. How you feel about the work is as important as the process of creating it. We all need that positive reinforcement. At their request, I have gifted prints to family and friends. Knowing they feel good about having a handmade print makes me happy, because ultimately what makes them happy also makes me happy. Sharing photographs is awesome, regardless of your choice of social media or website. However, many fall into the trap of collecting ‘likes’, instead of contemplating the work. Ultimately, what makes you happy is what you should care the most about.
There you have it. My version of ‘How to be great at Photography’ (or really, anything), according to me and Freakonomics.

10. Last Step

Now grab your camera and go shoot.

Darkroom Classes at Truman College


Hello everyone, do you know that Truman College offers photography classes’ trough their Continuing Education Department? That’s right; you do not need to sign up for credit classes if you only want to learn photography or how to edit your photos in Photoshop.

All class runs for 7 weeks and are offered continuously all year long. 

To see the current schedule press this link Classes.

There are several different classes that you can choose from: 

The class runs for 7 weeks and is offered twice in the Spring, Summer classes and also twice in the Fall.

 Beginners Photography   this class is designed to teach you all you need to know about photography and your camera. (Yes, theses two subjects are two different things.)  Unfortunately cameras come with a 300 page manual so you can use them properly. In this class you will learn that reading the manual is not needed to truly learn photography. You will learn about the camera, lenses, flash, filters, composition and much, much more. You can either use a digital or a film camera for this class.

Studio lighting class. In this class you will learn how to use automatic or dedicated flashes as well as professional studio lighting. It is designed to teach you how to create amazing photos using flash units placed away from the camera triggered by using very inexpensive control units; you will learn about different types of light and how to create cinematic looking photos.  We try to have a model for every class and for this purpose we look for people interested in modeling. We exchange photos for their time as we cannot pay the models (no budget!). Every class is practice, practice and of course learning.

Darkroom Photography. You probably have read about some of the great masters of photography, well guess how they learn? With film of course! Learning how to use a film camera and then how to develop and printed the film the way Ansel Adams, Edward Weston and many other great masters did, is just awesome.

Photoshop. If you prefer to spend your time in front of a computer or screen editing your photos, this class is for you. Most people don’t know that their cameras capture images in .jpg format, which is actually the worst format! This format was not created to give you the best image but rather it was created to reduce the size and resolution of your photos so you can post them in social media o send by email. But your Digital DSLR can capture images in RAW format which is non destructive and will give you the best file to edit. You also lean the principals of photo restoration and other things like replacing a sky on your photos. This is all for beginners and not for advanced students.

To register for any of these classes, just call Truman College at 773-907-4440. Laura Smith will help you register over the internet.

Photography my way.

Photography my way

Hello, everyone.  As some of you know, I have been a photographer for almost 40 years.  During that time I have been fortunate to capture many very good photos. I am posting some of them here. Since I have been capturing images for a long time, a few of these were captured with film but most of them are digital images.  I do have other interests, but whenever I have free time, I am taking pictures.  Right now I can barely wait for the Darkroom classes to start since I have about 10 rolls of film to develop! Lately, I have been using two different film cameras, a Bronica STRs 645 and a Fujifilm 6×9, both great cameras. As soon as I print some of these images I will post them here, or rather, on my other website dedicated to film photography.  Here is a link, for the darkroom class, www.chicagodarkroomclasses.com. Check it out and share it with your friends.


Learn photography the right way

Hello everyone,

Well, the darkroom class is once again in full swing.   Students are busy developing film that they shot either here in the USA or abroad, as is the case of a couple students. Regardless of where they shot their film, now they have to develop it and make sure they develop it correctly. Some students also print some of the negatives using fiber base paper, creating some very good images. So, how did you spend your summer? Shooting hundreds of digital images hoping that they look as good as the ones you see on the internet? If that is what you do and you like doing it, more power to you. But, if one day you get tired of shooting indiscriminately hoping for one good picture, maybe that will be that day that you decide to actually learn photography.

There is nothing wrong if you don’t know anything about photography, long ago I was in the same boat. Then, one day I purchased a film camera, learned how to use it and I end up owning my own photography studio and business for 26 years. But before I could do that I needed to learn what photography is. You and anyone interested can learn photography as well, either with a digital camera or a film camera. But it is important to learn from someone that knows and has been teaching for a long time! Yes, you can look at videos on the internet and do what they tell you to do, but, do the people that uploaded the video know what they are talking about? Or are they just re-posting something they themselves found on the internet?

Photography as we all know it has not changed in the last 200 years, what has changed are the cameras that we use to capture images. Do you know that you can capture a photograph using nothing but a shoe box? Yes! You can. But that is not how we all capture images nowadays  Now we use computerized cameras that come with a 200-page manual so you can learn how to use them.

Film photography is easier and way more rewarding. You finally get to create something with your own two hands and not by trying to find the right app that edits the photos the way you like them. I hope you give yourself a chance to learn photography the way ALL the great masters of photography did.  Become the next Ansel Adams!

Thank you.

Ignacio Alvarez


What’s in a Darkroom Print?

Few people realize the amount of work that goes into getting a darkroom print. During our darkroom photography classes at Truman College in Chicago, we go through it all. After you’ve shot your film, we need to develop it. A contact print normally follows, where the film strip will give you a preview of your images.

Someone once said your worst images are your first 10,000. Imagine shooting 10,000 images in film! That is over 410 rolls of 24 exposure film! Or over 830 rolls if you’re shooting medium format.

Back to the basics: contrary to today’s digital photography mantra of ‘spray and pray’, shooting film, economically speaking, forces you to shoot less. And that’s a good thing. It forces you to be mindful. To pay attention. To be in the moment and use your powers of observation. It isn’t just an image that you want to create, but also the technical journey with your camera that you need to follow in order to make it happen.

This image is one of those observations of mindfulness. Shot in medium format, a cactus was shot first at the Garfield Chicago Botanical Conservatory. It was exposed at half the metered exposure, and then the papaya leaf was shot. The camera used was a Mamiya c220, which allows two exposures shot on the same frame of the film. The film was Ilford HP5 at 400 ISO.

The negative was then developed and printed in the darkroom. This image might not speak to many people, given the bombardment of digital photography images these days. But to those who know film, it speaks of one element that was the result of paying attention by my student. It speaks to mindfulness.

Next time someone asks ‘What’s in a print?’, I can assure you… if it came from the darkroom, SO many things had to go right for it to come to life.  Or perhaps it was a result of many mistakes, and among so many things going wrong, eventually one thing had to go right. And that thing that goes right happens when we practice mindfulness.

Find out more about my darkroom classes by contacting Truman’s Continuing Education adviser Laura Smith at 773-907-4440